FUN LOVIN’ CRIMINALS | Fast talks about 2019 plans | INTERVIEW

FUN LOVIN’ CRIMINALS | Fast talks about 2019 plans | INTERVIEW

Fun Loving Criminals – Interview

Fast from the Fun Lovin’ Criminals talks to us about their upcoming UK tour and new album!

You are back with a new release ‘Another Mimosa’. Can you tell us about it, the concept behind the release and what kind of sound/genres to expect?

We were in Gibson studios in London working on new material. The music was coming together nicely but we were lacking lyrical inspiration so we talked about doing another album similar to Mimosa. We each chose 3 songs we’d like to cover that summed up the sounds that influenced us with FLC.

Where and when was Another Mimosa recorded?

We recorded the album at various studios in the UK over the past 3 years when we could all get together. We mixed the album in May in NYC with our longtime engineer/4th member of FLC, Tim Latham ISP.

What’s your favourite track from Another Mimosa?

My personal favourites are Daylight and Warning.

Where are you based these days? Do you find the location you record to have an effect on the material?

We all live in the UK. I think where we live definitely affects how we are inspired when writing lyrics for our songs. Musically we are influenced by all the music we have been into since we were young, mostly older music from the 60’s through the 80’s.

Fun Lovin' Criminals - Newcastle Academy 2016 - Fast
Fun Lovin’ Criminals – NEwcastle Academy 2016

You tour the UK pretty regularly. Would you say you have a bigger following here or back in the States?

The UK has always been so supportive of FLC and for that, we are grateful and blessed. I regret that we don’t tour more in North America where we still have many fans who want to see us live. Unfortunately, it costs so much for us to tour it is not feasible to do so outside of Europe.

How would you describe the FLC live experience? Feel good party band springs to mind for me, I always find I walk away from the shows with a huge smile, grinning ear to ear!

We feel the same. We are very lucky to be able to tour different places and perform our music. We always try to make the most of it and have a party with the peoples. Laughter is the best medicine. We rarely take ourselves too seriously.

Every time the FLC rolls into town I’m reminded of just how good the material is and how long it’s been a part of my life, it feels like 5 minutes ago when the debut Come Find Yourself came out. What’s your highlight of the long career and what’s the secret to longevity?

Thank you. CFY came out at the right time, saving us in the process. If we are inspired to write original music we will do so. We are older now and have different priorities in our lives.  I think the highlight is that we still enjoy performing live. Part of the secret is not caving in to the excesses that many bands fall into, like drug abuse!

It’s been nearly 9 years since your last proper originals album Classic Fantastic, any plans to record a follow-up?

Again, it all depends on finding lyrical inspiration. Musically, I have written so many tunes that could be great FLC songs, enough for a triple album!

Catch the FLC and their party at the Northumbria Institute on the 1st Feb 2019. Another Mimosa is today (18th Jan 2019!) check it out here

65DAYSOFSTATIC – Decomposition Theory tour and Gateshead Sage gig  | INTERVIEW

65DAYSOFSTATIC – Decomposition Theory tour and Gateshead Sage gig | INTERVIEW

65daysofstatic talk to us about the Decomposition Theory tour and upcoming Gateshead Sage gig

We spoke to Paul Wolinski about their fascinating new show and the process behind the music.

65daysofstatic - Boiler Shop Newcastle - December 2017
65daysofstatic – Boiler Shop Newcastle – December 2017

65days shows are already well known for being intense audio/visual immersive experiences and you have set the bar pretty high judging by your last Newcastle show at the Boiler Shop in December 2017! Can you give an idea of what to expect at the Decomposition Theory shows?

Thanks. That show was a nice way to finish off the touring we had been doing for our last record, which was the soundtrack to No Man’s Sky. Although that project as a whole was a leap forward to us in terms of music-making (because we wrote an infinitely-long, interactive soundtrack for the game), in terms of the live show, all that algorithmic/generative material got turned into fixed forms to better fit with the regular 65daysofstatic live show. Because usually, our shows are like how other bands do it – a few new songs alongside a lot of material from our back catalogue.

Decomposition Theory is a sharp break from that approach. It’s a different live set-up, and it’s us putting these new techniques front and centre, meaning there’s no back catalogue, it’s all about the new stuff. This isn’t a permanent state of affairs, but something we felt we wanted to try. The shows also have a big visual element too, we’ve made visuals that are very directly tied to the generation of the music, with the intention of making the process a little more visible to the audience.

Can you give us an insight into the songwriting/algorithm creating process? Is it totally electronic or do you have human input too?

It’s entirely human. All algorithms are inherently biased by the human/s who designed them. Ours are only different in that we leaned into that bias rather than worked under the illusion that algorithms could ever be natural. I’d say lines of code have about equal weighting to guitar pedals within the band at this point. Plus we are not dogmatic about this. We have no interest in becoming ‘the algorithmic band’. It’s not a gimmick, it’s just another tool we wanted to get good at. When the algorithms produce rubbish, we step in and try to make it better.

Will the performances be unique musical pieces?

This was the intention although as we’ve now done a few more shows, we notice that a lot of the music is solidifying. It’s becoming more like each show has unique iterations or remixes of the same songs rather than producing entirely new material. This is partly by design and partly because we don’t want to accidentally turn into a more electronic Spinal Tap circa their free-jazz improv period, with us just smashing out insane generative beats in 17/8 time that nobody can dance to. We always try to remember that unique does not automatically equal good. Especially when it comes to music.

What inspired the Decomposition Theory project?

It was a long time coming and involved too many factors to go deep into here. Decomp is not really an endpoint for us and although it’s a loose name for this collection of shows, really it’s more of a methodology that we’re trying to apply to everything we do as a band. I guess we want to antagonise the form of what a band can be, to challenge those expectations a little. It’s not about redefining 65, it’s more about escaping definition altogether. To make ‘being a band’ a process rather than a fixed state. This shows, the algorithmic approach, that’s really just one manifestation of what we’re thinking about these days as a group.

Should we expect any of your recorded material on the tour?

No. In the (very) unlikely event that any old material surfaces, it’ll be in some new weird, liquid form.

What’s next for 65days, any recording plans?

Yeah, probably but do you think that anybody can really reliably say what they’re going to be doing next at this point in civilisation??

65daysofstatic - Boiler Shop Newcastle - December 2017
65daysofstatic – Boiler Shop Newcastle – December 2017

65daysofstatic bring their Decomposition Theory show to Gateshead Sage on 24th November 2018

LED ZEPPELIN | The Song Remains The Same re-issue Special Feature | INTERVIEW

LED ZEPPELIN | The Song Remains The Same re-issue Special Feature | INTERVIEW

Led Zeppelin – The Song Remains The Same Re-issue Special Feature

We have something very special for you today. A full feature length feature on the new reissue of the Led Zeppelin classic live album. The Song Remains The Same is out today 7th Sept 2018. Here’s an hour-long feature feating songs and interviews with the band

Special thank you to Oli at AC Promotions for permission to use this.

TREMONTI – Mark Tremonti talks to us about A Dying Machine

TREMONTI – Mark Tremonti talks to us about A Dying Machine

Mark Tremonti talks to us about A Dying Machine

Mark Tremonti interview A Dying Machine

The brand new album for 2018 is out now!

Listen to the full interview below. We have not one but two interviews to share. Mark talks about the album and the second one he talks us through each track and the meaning of the songs.

About the album

Track by Track!


Special thanks to Oli at AC Promotions 🙂