BLOC PARTY | CIRCA WAVES | MYSTERY JETS | 12.07.2019 | Wasteland Festival | REVIEW and PHOTOS

BLOC PARTY | CIRCA WAVES | MYSTERY JETS | 12.07.2019 | Wasteland Festival | REVIEW and PHOTOS

Bloc Party | Circa Waves | Mystery Jets – 12th July 2019 – Wasteland Festival

Review by Lee Hammond and photos by Graeme J Baty

Bloc Party – 12th July 2019 – Wasteland Festival

After moving venue at the last minute, the show must go on and tonight the O2 Academy Newcastle throws its doors open to a horde of people expecting the best in nostalgic mid noughties indie. Opening the show The Mystery Jets kick things off to a lively start, their excitable style mixed with infectious choruses has everyone up and dancing. Their set mainly filled with newer tracks but the appearance of Young Love is a welcome addition to this short set.

Continuing on a theme of insatiable groove ridden choruses and spritely Indie Rock, Circa Waves hit the stage next. The relatively young band sandwiched between two stalwarts of the indie scene, they put on an excitable set. They appear to be as excited as everyone else, it’s not long before they have the ever-swelling crowd in full verse. Frontman Kieran is quick to get everyone clapping and singing as best as he can.

The likes of Fossils and Stuck in my Teeth are instant highlights in this energetic set, but they save the best until last. Finishing off in style with a riotous rendition of T-Shirt Weather, which has this entire crowd in song. An impressive way to finish any set, as they set this now packed out crowd up for Bloc Party.

As the lights dim, the band make their way on to the stage to a rapturous reception from this packed crowd. The heat inside the venue is soaring as outside the rain continues to pour (I bet you’re glad it’s been moved inside now). Opening with Compliments, the band have opted for a different take on playing their debut album in full, where most bands would play from start to finish.

Bloc Party decide to play from the end through to the beginning, it’s a slow build as the first few tracks lack the energy of the hits that otherwise litter the album. However, they hit their stride during This Modern Love and from there they’re firing on all cylinders. Hit after hit follows, you really cannot fault Bloc Party on this occasion, Blue Light, Banquet, Helicopter, Like Eating Glass everything sounds exceptional.

There is the obvious miss of the fact that this isn’t the original lineup but that matters less and less as Kele’s signature style permeates throughout the venue. Leaving the stage after the main event they return for a few tracks mainly those from Weekend In The City, all of which are welcome additions to this blistering set. Hunting For Witches and The Prayer are obvious favourites as they cap off an incredible set in style.

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STEREOLAB | 20.06.2019 | Newcastle Boiler Shop | REVIEW and PHOTOS

STEREOLAB | 20.06.2019 | Newcastle Boiler Shop | REVIEW and PHOTOS

Stereolab – 20th June 2019 – Boiler Shop

Review by Lee Hammond Photos by Gavin Wyatt

After a decade away the much loved Stereolab have finally returned, and so far on their tour they’ve wowed crowds across the UK and Europe. As they arrive in Newcastle tonight there is an excitement tinged with tension in the air, after the band had to cancel the previous two shows on the tour. However, the show tonight is still to go ahead, opening are Tomaga whose motoric beats quickly hypnotise this crowd into synchronised toe-tapping.

The duos incessant beats set the tempo for the rest of the night, the only issue being the pair seem to have one set groove and don’t deviate from that. It means that their set feels a bit flat, fortunately the same cannot be said for Stereolab who are welcomed to the stage with a rapturous reception by the packed crowd. Opening with Come and Play in the Milky Night they instantly have the crowd under their spell. Lætitia Sadier taking time out to thank the crowd in between songs as they erupt when she announces French Disko early in the bands set.

This set is packed with classic tracks and this is the first that invokes a huge sing-along from the entire crowd. These classic tracks making everyone swoon, the beautiful disco beats ringing out throughout the beautiful venue as the sun sets outside. The likes of Miss Modular and Ping Pong have similar effects on this crowd, both are tracks which prove why Stereolab have been lauded as so influential. Both tracks sound absolutely incredible tonight and have everyone dancing.

It’s rare in such a miserable and divided world to see such jubilation and excitement filling a room, but Stereolab achieve this with relative ease tonight. As their set builds to a climax the tracks become increasingly emphatic before they close out with Lo Boob Oscillator, this wonderful track caps off their set brilliantly. It’s euphoric tone enthusing the crowd the bouncing beats providing the perfect close to their set, which at times felt like a slow burn but in actual fact this was perfect as they gently ramped up the tempo to this amazing finish.

They use a similar tactic for the encore opening with The Extension Trip and closing out the night with the awesome John Cage Bubblegum. Tonight Stereolab are truly out of this world, a truly welcome return!

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THIS IS TOMORROW FESTIVAL | MAY 2019 | Newcastle Exhibition Park | REVIEW

THIS IS TOMORROW FESTIVAL | MAY 2019 | Newcastle Exhibition Park | REVIEW

This is Tomorrow Festival – May 2019 – Newcastle Exhibition Park

Review by Lee Hammond

Unlike the majority of the country Newcastle has long lacked a real festival, the recent growth of Hit The North and the first edition of This is Tomorrow showed the appetite for a festival in the North East. This years This is Tomorrow festival boasted a varied lineup with something for everyone, taking over exhibition park, just walking in you get the feel of your traditional British festival. Music blasting from all angles, a plethora of food stalls and bars, heading straight over to the Richard Hamilton stage local favourites A Festival, A Parade are just starting.

Their own brand of indie rock is the perfect way to start any evening at a festival. With nods to the likes of Mogwai and The Twilight Sad, it’s safe to say that they blow any early cobwebs away with this emphatic set. It’s dark and heavy yet pitched against the early evening sunshine it’s the perfect opening. Following on from this Nothing But Thieves are next up on the Graham Wylie Foundation stage.

With the majority of the crowd within the park at the time they’re all eagerly awaiting the arrival of Nothing But Thieves. It’s an excitable and enthusiastic set with the whole crowd singing along at the tops of their voices a sea of pogoing heads in front of us. For the band it’s their first show in a while but one which is met with an ecstatic reception. The likes of Sorry, Trip Switch and Wake Up Call are all firm favourites in this brilliant set.

Next up though are by far one of the liveliest bands on the entire lineup, Groundculture set about thrilling the crowd on the BBC Introducing stage. This intense and urgent set is something to behold as they tear through it at breakneck speed, their own brand of Rap Metal is greeted by an upbeat crowd. One of whom deciding to throw his shoe (which bounced off me), it’s a set filled with riffs and anger but one which is met with complete unbridled joy from the crowd as Groundculture add to this immensely diverse lineup.

Back over on the Richard Hamilton stage are Anteros who’ve recently released their debut album. It’s a sultry set with singer Laura Hayden initially teasing a security guard looking for a reaction. Unfortunately he remains stoic, the rest of their set is awash with upbeat tracks like Drive On and Breakfast providing the perfect antidote after the madness of Groundculture. They’re certainly a band on the up and this will not be the last we hear of these guys.
Closing out the BBC Introducing stage on day one are one of the finest bands around, Avalanche Party appear to be on the cusp of finally breaking through (although that has been said many times before). As they take to the stage an excited swarm of people gather around the stage in anticipation of a typically raucous set and they do not disappoint. Their heavy tracks underpinning Jordan’s vocals as he baits the crowd up on the barrier he towers over them. It’s a set that is without doubt one of the best of the day, every track loud and angry. They’ve honed their craft and deserve a huge break and yet again tonight they have undoubtedly won over a number of new fans.

Foals take to the stage to close out day one of This is Tomorrow, it’s an ecstatic and fervent set from the start as they open with On the Luna. Before quickly diving into the likes of Snake Oil and Olympic Airways, it’s a set which has the whole crowd screaming and bouncing along throughout. The band hit their stride early on and continue to ignite this crowd with every track, during Spanish Sahara there is an issue with one of the barriers in front of the stage. With a short break the band return to play In Degrees but the festival deem it not safe to continue with Foals set. In our collective minds this is the correct course of action, safety should always come first and is certainly the right move on this occasion.

So despite this ending on day one, day two at This is Tomorrow still goes ahead with yet another slew of top bands slated to appear. Arriving in time for Glasvegas, the Glaswegian rockers are just taking to the stage, in the main it is a set filled with tracks from their early days which is welcomed by this already packed crowd. The likes of Daddy’s Gone and Go Square Go providing the perfect anthems to get this rain-soaked crowd into the festival spirit.

Another Scottish band are next to take to the stage only this time on the Richard Hamilton stage. The Snuts are fast becoming a name to watch and judging by the sizeable crowd that has fathered they’ve already made an impact in Newcastle. With the crowd jumping along and singing back every word it proves to be a riotous romp in the mud for the Scottish quartet keeping the party going on this miserable afternoon.

On the Graham Wylie Foundation stage next though are the always brilliant Ride, in some ways it feels only right that the sky is still overcast with the rain unrelenting. Opening with Leave Them All Behind this ever filling crowd immediately join in, it’s a set which really cannot be faulted with tracks like Vapour Trail and Kill Switch providing the soundtrack to this soaked afternoon in Exhibition Park. Ride are without doubt one of the bands of the day though on day two of This is Tomorrow.

The next band on the Graham Wylie Foundation stage provide one of the surprises of the day. Editors have always had a reputation for exciting live sets, however, today they appear to take it to a new level. In a set laden with older material they have this crowd in full voice, singing along to the likes of Blood, Papillon and An End Has A Start. Add into that new track Frankenstein and they put on an exceptional show, in amongst all of these other bands today they really shine through with this performance and it appears to be a real return to form.

Swine Tax are next up on the BBC Introducing stage and with the weather brightening its a politically charged and anger filled set from these guys. The likes of Tory Water is a particular highlight as they thrilled an enthralled crowd. They are certainly one of the best bands that the North East has to offer right now and today’s performance just compounds that statement!

The only criminally under attended set of the day though is Pip Blom’s (it almost definitely has something to do with it clashing with The Vaccines). Her set of vibrant grunge-tinged punk is as ever scintillating and exciting, her and her band always appear to be having the best time and even with a small crowd she still thrills everyone. It’s a brilliant set that is fuelled by tracks from her yet to be released debut album. For those who were there they will surely attest to how brilliant and upbeat this set was. Pip Blom is certainly a star of tomorrow and we cannot wait to hear more from her in the very near future.

Closing out day two of This is Tomorrow is one of the undisputed kings of Brit Pop Mr Noel Gallagher. Taking to the stage with his High Flying Birds, the whole crowd erupts as he kicks straight into Fort Knox. His solo material is a complete step away from Oasis and a welcome change, sonically it is so much more interesting and exciting and this shows through in the early part of the set with the likes of Holy Mountain and She Taught Me To Fly really shining through early on.

However, it would be a huge miss for him not to delve into the Oasis back catalogue and he indulges this packed crowd with the likes of Talk Tonight and Little By Little. The sound of the crowd outweighs the band hugely during these moments. More solo material is then followed by a huge section of Oasis classics, leading to Gallagher saying it’s like being in the greatest karaoke bar in the world. The likes of Wonderwall, Stop Crying Your Heart Out and Don’t Look Back in Anger providing an immense way to end the second day of This is Tomorrow.

With the return of the sun comes day three, after an incredible closing set the night before hopes are high for the final day. Embrace take to the stage with a set packed with some of their biggest tracks particularly Gravity which is met with an almost deafening singalong. As well as Ashes it’s a feel good set to kick the final day off and sets us up for everything else that is to come.

The next act on the Graham Wylie Foundation stage was arguably one of the most talked about artists in the UK right now. Lewis Capaldi is the name on everyone’s lips right now, whether it be for his music or his Instagram presence. The incredibly funny singer bounds on to the This is Tomorrow stage to a heroes welcome. Launching himself down the ramp in a ‘Naomi Campbell’ style munch to the delight of his fans. His set though is incredibly impressive, when you remove the daft behaviour and boil it down to his music alone he deserves all of the hype. His short but brilliant set is definitely one of the best of the weekend!

Continuing what they dub Scottish hour The Lafontaines are next to take to the Richard Hamilton stage. It’s a completely different musical affair one which is significantly more intense and fervent. One thing that must be said for The Lafontaines though is they certainly know how to build a crowd, with singer Kerr Okan our in the crowd enticing more people in and it works a treat. Quickly amassing a huge crowd as they continue Scottish hour in style. Their forceful set really sets them apart from the rest of this lineup as they win over a bunch of new fans this afternoon.

Johnny Marr needs no introduction nor hype and his set today is faultless. Wondering down the ramp with his Fender Jaguar, holding it aloft much to the delight of this entire crowd. It’s a mixture of his own material and The Smiths much like Noel the night before it is all met with emphatic singalongs, the likes of Bigmouth Strikes Again and This Charming Man will undoubtedly be years for miles around. Equally the likes of Getting Away With It and Hi Hello are also personal favourites. Marr himself seeming appreciative of the crowds enthusiasm and involvement in his set. Without doubt one of the best sets this weekend by far.

Closing out the weekend are the Stereophonics with another set filled with crowd pleasers. The likes of Step On My Old Size Nines, Maybe Tomorrow and Handbags and Gladrags are all well received and at that point we decide to call it a night. This is Tomorrow has well and truly shone this year an excellent festival throughout with such a wide range of bands with countless highlights. We cannot wait to do it all again next year!

ROISIN MURPHY | 19.05.2019 | Newcastle Boiler Shop | REVIEW and PHOTOS

ROISIN MURPHY | 19.05.2019 | Newcastle Boiler Shop | REVIEW and PHOTOS

Roisin Murphy – 19th May 2019 – Newcastle Boiler Shop

Review by Lee Hammond. Photos by Victoria Wai

As a precursor to her slew of festival shows in the weeks and months ahead, Roisin Murphy decided to warm up for these in Newcastle. Opening tonight are duo Audiobooks, the pair initially don’t strike you as a typical duo and their music reflects that. Acclaimed and in demand producer David Wrench’s beats are crisp and clean, and they sound particularly pleasing in this wonderful venue. However, the same cannot be said for the bewildering Evangeline Ling whose vocals rather than enhancing the beats they sit atop, instead fail to enthuse.

Their sound is definitely unique but perhaps not in the right way, the culmination of their set sees Wrench shredding through a plethora of riffs whilst Ling screeches through the final track. The build up to Roisin Murphy’s set starts the best part of fifteen minutes before she even takes to the stage, a palette cleansing drone that slowly builds accompanied by looping visuals. As the lights dim and the band take the stage, Murphy makes her grand entrance opening with House Of Glass. This heavy number setting the tone for what is to come.

It’s a night of many costume changes, Murphy’s on stage wardrobe is truly impressive. Personal favourites Demon Lover and Ten Miles High featuring early in this superb set. However, by far the best costume and accompanied song is Plaything, as Murphy carries her silver ‘plaything’ around the stage. Sparking a significant crowd reaction as she twirls it around, it’s not just about that however as the song itself is particularly vibrant and packed with unbridled energy.

That is true of most of this fervent set, with Murphy barely stopping to draw breath the majority of the time. Without doubt she is in incredible form tonight, closing out her set with Overpowered and Flash Of Light you cannot help but be overcome by her style and manner. She has this crowd hanging off her every word, as they dance their night away. Roisin Murphy proves without a doubt how truly brilliant she is tonight with this insanely impressive set, it’s predominantly effortless her costume changes her relentless excitement all of which rubs off on to this elated crowd.

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Images Copyright Victoria Wai. For permission to use these images please contact victoriawai.co.uk

HIT THE NORTH FESTIVAL | 05.05.2019 | REVIEW and PHOTOS

HIT THE NORTH FESTIVAL | 05.05.2019 | REVIEW and PHOTOS

Hit The North Festival – 5th May 2019 – Review and Photo highlights

Review by Lee Hammond. Photos by Victoria Wai (Victoria Wai)

It’s an early start but The Noise and The Naive successfully blow away any early cobwebs, this powerful duo tearing through an early set to an appreciative crowd. It’s difficult to fault their enthusiasm and fervour, they are indefinitely deserved of a much higher place up this packed lineup. That being said they undoubtedly won over a fresh set of fans this afternoon.

Such is the norm at this time of year Pip Blom opens the Think Tank stage this afternoon, another artist playing much lower down the bill than expected but she is also playing in Glasgow later today. Her set of grungy power pop is wonderfully executed, she and her band groove their way through these urgent and heartfelt tracks. Think Tank is packed to the rafters this early on, but it is certainly worth it. Her set is far too short but leaves everyone craving much more.

Los Angeles native Pearl Charles is next to grace the Town Wall stage, her dreamy Americana the perfect antithesis after two rowdy sets. Her supremely sweet voice emanating through this small room, casting her wonderful spell across everyone who quickly becomes mesmerised by her. With the likes of All The Boys and Sleepless Dreamer featuring in her set it’s hard not to be enamoured by her. This is definitely the perfect mid-afternoon festival set.

The Ninth Wave have continued to win over fans up and down the country, their sound has changed somewhat in the time they’ve been around as well as the band members. However, today their set is firmly routed in a dark groove as they thrill an enthused crowd who are all willingly and eagerly singing along to every word of songs old and new. They are certainly a band who are finally finding their footing and are quickly ascending the ladder to bigger things.

Next up are New York family band Bailen, the twin brothers and their sister. Are yet another breath of fresh air, settled somewhere between Fleetwood Mac and Vampire Weekend it’s a definite winning combination. The way the three of them harmonise together is exceptional, you quite quickly get lost in their wonderful songs as they have a wonderful sound. Without doubt they are by far one of the bands of the day even with so many other great things to come, we find ourselves completely blown away by them.

A band at the opposite end of the spectrum are next to take to the Think Tank stage, Lady Bird are one of the most talked about bands around right now. Today they make themselves known in spectacular fashion, with Think Tank one in one out there is barely any room to breathe. They take to the stage in typically upbeat fashion goading the crowd and whipping them up into an early frenzy. It’s quite clear that they’re proponents of a similar sound to IDLES, with a little Jamie T in there for good measure. It’s an intense and exciting set, they have an unrivalled power and passion alongside a spectacular stage presence. They are soon to be the band on everyone’s lips.

Sorry provide a completely different experience, their atmospheric tracks at times feel lost in the Boiler Shop. They struggle to gain the deserved gravitas from their intense sound, it doesn’t help that the sun is beaming in through the large windows. This feels like a set which would be much more at home in a small dark room, where the bands real passion has the ability to successfully permeate through the crowd. That aside, as Sorry warmed to their surroundings their set gathered pace, but it still lacked the urgency it needed.

The Blinders have consistently been one of the most talked about bands around, yet on tonight’s showing I’m still yet to understand it. Prior to taking to the stage they play out a call to arms but that’s where their political stance appears to end. Instead blustery fervour is backed by mediocre lyrics coated in reverb driven guitars. That said this is personal opinion, the rest of the crowd were head over heels for the Doncaster band.

Liverpool’s Zuzu was full of excitement as she bounced on to the stage, her enthusiastic stance has the crowd jumping and singing along from the off. Her excitement is truly infectious tonight as we get caught up in her glee as she bounds through her set with wild abandon. The same unfortunately cannot be said for Berlins’ Giant Rooks who really fail to deliver today, not through any fault of their own. You often see this through multi-venue events, they failed to pull any sort of crowd today. Despite putting on a show worthy of a sold-out crowd anywhere as they have the boiler shop quite literally shaking with the force of their sound.

The Mysterines are next in the Digital stage, it’s another fervent fuzz filled set. Lia is a true force to be reckoned with as she relentlessly grooves her way through the entire set, they’re a band who improve exponentially every time we see them. Their power and ferocity is incredible tonight they truly step up to the plate and wow this enthralled crowd. However, this is also where the evening takes a turn for the worse. Heading down to Riverside their programme is suffering from significant delays, Easy Life appear to have only just taken to the stage and are greeted by many bemused SOAK fans.

After waiting a significant amount of time we head up to see Lice, who prove to be one of the bands of the day. Jeering at people from the window of the Bridge Hotel, beckoning them in they quickly create a crowd. Their passionate own brand of punk rock is something to truly behold. Delivered with an angst and snarl, they prove why they deserve to be treated with a significantly higher regard. This enthusiasm, their madness and unbridled excitement is a real breath of fresh air. Without doubt one of the best bands of the day!

Heading back down to Riverside we find out that they are now running an hour and fifteen minutes behind, as SOAK finally takes to the stage Shame fans are beginning to fill the room. There is obviously a hefty disparity in styles and this unfortunately does not translate to the best crowd for the quiet Irish singer. She tries her best and gets through five tracks in twenty minutes before leaving the stage, it puts something of a dampener on what is otherwise an excellent day. The breadth of talent and style is incredible Hit The North have truly nailed it this year. In spite of any issues with timings as these things happen we really cannot wait for next year.

PHOTO HIGHLIGHTS by Victoria Wai

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Images Copyright Victoria Wai. For permission to use these images please contact victoriawai.co.uk

DEATH VALLEY GIRLS | WHITE LEGS | 03.03.2019 | Newcastle Cluny | REVIEW

DEATH VALLEY GIRLS | WHITE LEGS | 03.03.2019 | Newcastle Cluny | REVIEW

Death Valley Girls | White Legs – 3rd March 2019 – Newcastle Cluny

Review by Lee Hammond

Tonight arriving in time to see one of the North East’s finest new bands in the form of White Legs, it is the coming together of three of the finest musicians in the local area. It’s a powerful riff-laden opening, this trio is a true force to be reckoned it’s an aural onslaught as they power through a slew of impressive tracks. Their new single Cut It Away is an undoubted highlight of this short set, similarly, their set is over all too quickly but it certainly is not going to be the last time we catch the impressive trio.

With such an impressive opening act the bar is high for Death Valley Girls who quietly take to the stage, quickly launching into Abre Camino. It’s an impressive opening with band leader Bonnie Bloomgarden’s talents in full flow from the off, her individual voice bringing to life these dark Garage tracks. Their early tracks come thick and fast all delivered with incessant grooves and fervour. The beating rhythm section heart of Death Valley Girls is what drives this set forward at pace, Bonnie and Nikki dance their way through the set in equally impressive fashion.

The likes of More Dead and Death Valley Boogie really set the early part of this show alight, but it’s those tracks which they save for the end that really cause a stir. The likes of Disco possess hooks that permanently insert themselves into your brain, and you find yourself muttering the chorus in the middle of the night. The only problem with tonight’s set is certainly not on the stage but those ignorant enough to respect the bands between songs.

Fortunately, Bonnie is only too happy to deal with these gentlemen who interrupt her throughout, carefully reminding them as to who has the microphone. Closing out this relatively short set on the wonderful Electric High it rounds off an intense scuzz filled, rhythm-heavy wonderful set. The only problem is that it’s over all too soon, as we could have danced away the night to this brilliant band!

WHITE DENIM | BC CAMPLIGHT | 16.02.2019 | Newcastle Northumbria Institute | REVIEW and PHOTOS

WHITE DENIM | BC CAMPLIGHT | 16.02.2019 | Newcastle Northumbria Institute | REVIEW and PHOTOS

White Denim and BC Camplight – 16th February 2019 – Northumbria Institute

Review by Lee Hammond. Photography by Gordon Armstrong 

Nights like this are few and far between, tonight White Denim roll into town with the exceptional BC Camplight in toe. In his own right BC Camplight carries significant stature and tonight he proves it early on with a scintillating set, opening with Deportation Blues he kicks things off in a rousing style and retains that with the equally fervent I’m in a Weird Place Now. He does bring the mood down slightly with a solo version of When I Think of My Dog, yet he still retains his usual charm throughout.

He riles the crowd with his story of the former Home Secretary before launching into a brilliant rendition of Fire in England, before closing out this short set with I’m Desperate. BC Camplight well and truly warms up this crowd, but this is a mere aperitif compared to what lies ahead this evening.

White Denim take to the stage and barely waste any time with an idle chit chat, instead diving headlong into Backseat Driver. They barely stop for the first four tracks, each track more ferocious than the last as they provide a barrage of aural deliciousness unlike any other.

Fervent guitars coupled with relentless thunderous drums are something to truly behold today, Double Death and Ha Ha Ha Ha (Yeah) are early favourites in this mammoth set. Their unwavering energy coupled with their signature brand of garage funk has every member of this heaving crowds head nodding along in unison, as the band barely leave themselves time to blink between tracks. The likes of Real Deal Momma and Had 2 Know (Personal) follow each other in quick succession.

Towards the end of the set the bands tracks almost begin to blend into one as they retain such a ferocious pace, this is beyond impressive. By the time they reach the latter stages of the set you’d be expecting them to falter somewhat yet they continue with ease as they round off the set in typically ferocious fashion. It Might Get Dark and Shake Shake Shake providing more crowd favourites right at the end.

Their unrelenting enthusiasm, pace and excitement are what permeates throughout this exuberant Saturday night crowd, White Denim traversing genres with ease and relative simplicity also helps all whilst retaining their signature sound. There is no way to fault these guys in any way, many would guffaw at playing much longer than an hour but for White Denim they sustain an incredible atmosphere for two hours straight and give every member of this packed crowd their money’s worth and then some. Without doubt one of the finest live bands around right now!

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Images Copyright Gordon Armstrong. For permission to use these images please contact G’s Gig Shots


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