KT Tunstall and Laurel – 11th March 2019 – Gateshead Sage
Review and photos by Victoria Wai (Victoria Wai)
What I absolutely love about both the support act and headliner on this night is that there are no airs and graces but pure passion and appreciation of being able to do what they do for an audience that has gathered, who are also just as appreciative of what they see before them. With each drop of the ‘f-bomb’ it is done so with so much love.
Laurel is starting to make a name for herself and has been touring the more intimate venues for a few years. She admits that she is a huge fan of headliner KT Tunstall and is thriving on every moment given to her. The last three times I have seen her the crowds have been somewhat rowdier but the Sage crowd is quite a contrast that the first ‘f-bomb’ of the night is dropped as she is amazed by the attentiveness. The only time it gets really loud is when she and her band shout the ‘yeah’ bit in Lovesick.
Laurel has an instant connection with the crowd that when she introduces South Coast someone asks where she is from. Jokingly her instant reply is ‘the south coast,’ but then she says Plymouth and the crowd cheer which is some feat as this gig is in the North East. The volume is tripled as she introduces the last song Adored as the audience want her to stay a longer. Showing their appreciation at the interval there is a never ending queue for her at the merch stand.
A booming ‘Hey Micky’ comes as the room darkens then appears the lady of the night KT Tunstall and with a quick hello the members of her band join her to open with the song that is wrote on her white guitar, Uummannaq Song. She narrates that we are in a Sage shaped space ship travelling to the furthest side of the world before starting ‘Other Side Of The World.’ Tunstall is quite clever like this and we get these soundbites throughout the night that lead into her songs. There is also a personal connection in that she talks of the rivers of “Gateshead and surrounding areas” reminding her of home as well as those “clear blue skies then stepping out and it’s like fuuuccckkk!” She maybe LA based now, but she still talks like a true Scot.
There is so much energy in the air and true or not the band slip off twice for their ‘beer break’ and Tunstall is on the stage alone, just her with a guitar, a loop pedal and a tambourine then later a harmonica. She says most people probably spent their hard on cash to see her because of the song that has now become a ‘karaoke classic’ that she couldn’t be more proud of as she can now buy a few rounds of drink. The way she plays Black Horse And The Cherry Tree is one of those special moments where it feel like it is just you and her in the room even when the room is clapping along leading into the band coming back and a mash-up huge loud mash up with the classic hit Black Betty is played.
Although Tunstall has a stellar back catalogue we also get some from her latest release Wax with Little Red Thread being a personal favourite on the night visually. We get back-to-back of The Night That Bowie Died, Dark Side Of Me and The Mountain as she asks for us all to just get lost in the music. Besides the claps in between each song the room obliges and is still as we let her do her thing. What a moment. But being KT Tunstall we go out on a with the heavy rockier song ‘The Healer’ before she is off and the crowd call for her back.
The crowd is rewarded with ‘Invisible Empire’ and a rendition of Tom Petty’s ‘Won’t Back Down,’ which makes the room still and silent once again and it is such a beautiful moment. I could watch and listen to Tunstall perform this way all night but her vibrant soul is also something to be witnessed and it probably couldn’t be more fitting that the night ends with ‘Suddenly I See’ and those that were sitting before that were invited to stand earlier in the night were right up on their feet with everybody else in the room. If only Sage had room for those big streamers this was the moment for them as the band leave the stage and Tunstall runs and hand slaps those at the front with a big shout of “we totally love ya.” That feeling is echoed back to her as the venue empties.
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