Black to Comm | Seven Horses for Seven Kings | Album review

Review by: Jimmy Hutchinson

With a whir of oscillating brass, Seven Horses for Seven Kings roars to life. Brief opener ‘Asphodel Mansions’ sets an ominous tone, which gradually shifts into full-blown horror on the nightmarish ‘A Miracle No/ Mother Child at Your Breast’.

Black to Comm is the solo project of German musician Marc Richter, whose albums are generally constructed from distorted samples, looped and layered to create a disquieting ambient field. This latest album features additional rhythmic elements – tribal-sounding drums, which add an occasional urgent feel to these recordings. Richter has described a growing fondness for playing live shows, which perhaps accounts for a greater sense of immediacy.

Some of the more affecting passages on the album are the more unexpected – the squawking Berlin-era Bowie-esque sax sounds on ‘Licking the Fig Tree’, for example, or the sudden atonal voices on ‘If Not, Not’ which are reminiscent of Ligeti’s avant-garde compositions.  Proceedings seem to reach something of a culminating point on the relatively calm ‘Angel Investor’, which features layers of distorted mellotron, and leads the listener to the lengthy final track’s mournful -sounding collage of loops, distorted noises and speech samples.

Black to Comm has created an interesting and atmospheric piece of work, which is more accessible on subsequent listens (although it isn’t quite as dense and absorbing as Svarte Greiner’s ‘Kappe’, for instance). However, the longer pieces in particular create a palpable sense of dread, and the album is recommended for dark ambient and noise fans.

Seven Horses for Seven Kings is available in digital and physical formats from ThrillJockey, including a limited vinyl pressing.

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